Angenieux EZ-2 22-60mm

If you could only keep one lens on the camera all day, the EZ-2 would make a strong case for itself.

The focal range covers a huge amount of everyday shooting, making it particularly useful for commercials, documentary work and fast-moving productions where lens changes can slow things down.

For many crews, this ends up being the lens that spends the most time mounted to the camera.

Often paired with the ANGENIEUX TYPE EZ-1, SONY FX6 and ARRI LMB 4X5.